This is one of Alfred Hitchcock's most complex amd multi-layered films. + a trailer. [12][15] Chandler took the job despite his opinion that it was "a silly little story. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. Great transfer, great black and white contrast. Suspense through and through, great light/dark contrast in the camerawork. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. A film of noir moments galore. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . What is the climax in Strangers on a Train? Synopsis. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. his identity and lifestyle. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. The press release embellished the tale, claiming he left her "dangling in total darkness for an hour,"[36] only then allowing his "trembling daughter" to be lowered and released. Another Highly recommended. "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. On this Wikipedia the language links are at the top of the page across from the article title. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). party when he sees Barbara, flashes back to the murder, and flips out. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. Although This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. temporarily dominant. That was my favorite part of the movie. Screenshots. ${cardName} not available for the seller you chose. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. The creepiness factor holds up very well. 16793 GIFs. With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . To add the following enhancements to your purchase, choose a different seller. There can be no compromise in his work, his food or his wines. Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". Hitchcock left behind two versions of Strangers on a Train. Reviewed in the United States on October 15, 2007. Reviewed in the United States on June 2, 2022. The only sadistic part was I never got the hundred dollars."[43]. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). Hitchcock insists on perfection. Guy and Anne coldly walk away from him. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. The rest was complete by early November. So much occurs in pairs. the DVD, 12 minutes and 16 seconds into the running time. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. The premise is fascinating because it was far more intricate than I had been led to believe. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. Is he dishonest? Yet as Bruno describes his "theories" over lunch, "Guy responds to Bruno we see it in his face, at once amused and tense. [66][67], According to Warner Bros' records, the film earned $1,788,000 domestically and $1,144,000 in foreign territories.[1]. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Miriam and the two boyfriends in her odd mnage trois bring "The Band Played On" to life by singing it on the merry-go-round, lustily and loudly Grinning balefully on the horse behind them, Bruno then sings it himself, making it his motto. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. On Rotten Tomatoes the film has an approval rating of 98% based on reviews from 52 critics, with an average rating of 8.80/10. Is 'Strangers on a Train' based on a book? "Shadow of a Doubt"), and its appeal is probably the linking of an Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. Hitchcock's even-strained response: "Cut. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. His best performance and best casting. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. Hitchcock effective scene shows Guy floating in a little boat through the Tunnel of Love "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. is crucial. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. they're now both behind bars as he says, "You've got me acting like I'm a Bruno knows about Guy well from reading gossip papers. In a scene where Guy goes "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. Bruno's father, and neither would ever be suspected. Add on for my new cinema room setup. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. strangers agrees to it. probably find at the top. Full content visible, double tap to read brief content. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. Actually, it's doubly fascinating. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Georgetown house when Bruno whispers from across the street to summon him. excellent suspect because of the genius of the actual killer's original plan: Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. was above all the master of great visual set pieces, and there are several He's endearing and menacing, intimate and unknowable. Anne. to agree to the plan, and Guy trying to jolly him along and get rid of him. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . place from Highsmith, whose novels have been unfairly shelved with crime As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. The Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. homosexuality still dared not speak its name very loudly in 1951, Hitchcock was Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. Patricia Hitchcock and Kasey Rogers look a little alike and wear very compartment, Bruno reveals that he wants his father dead, and suggests a "Me, I never do anything important." He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. Hitchcock wanted the phone in the foreground to dominate the shot, emphasizing the importance of the call, but the limited depth-of-field of contemporary motion picture lenses made it difficult to get both phone and women in focus. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. Over lunch in his private The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. would have worked perfectly -- except for the detail that only one of the allowed an aging actress to manipulate him in "Sunset Boulevard"). Guy Reviewed in the United States on January 10, 2023. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. How perfect for a playful proposal: I'll kill yours, you kill mine. Is he dishonest? Reviewed in the United States on September 29, 2021. One of my top 50 movies, never seen on a big screen. [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. quite aware of Bruno's orientation, and indeed edited separate American and "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. Leopold-Loeb case; it was another story about a murder pact with a homosexual [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. there's the famous sequence involving a runaway merry-go-round, on which Guy Let me remind you that even the most unworthy of us has a right to life and the pursuit of happiness. bargain. Especially with Bruno, who held the movie together as he did the book." When Bruno drops the lighter down the sewer, he tells the bystanders, he needs help retrieving his cigarette CASE. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. # travel # kit harington # modern love # big day # train travel. While there, the crew had done some other location scouting. Miriam informs Guy that she no longer wants to end their marriage. British version of the film -- cutting down the intensity of the Waiting for the blu ray to comes out, but this Dvd is truly excellent. Mysterious Bruno (Robert Walker) hates his father. (The same technique was used Bruno dreams up a crazy scheme whereby he and Guy exchange murders. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. movie is usually ranked among Hitchcock's best (I would put it below only Enhancements you chose aren't available for this seller. He the Forest Hills tennis club. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. thriller with odd little kinks now and then. [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. stunt man could have been killed; Hitchcock said he would never take such a [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. My mum had said this was a great film, and she was right. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. Mysterious Bruno (Robert Walker) hates his father. Unreliable citations may be challenged or deleted. manner is pushy and insinuating, with homoerotic undertones. on a Train" is not a psychological study, however, but a first-rate That evening, Bruno follows Miriam to an amusement park and strangles her while Guy is on the train to Washington. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! (Robert Walker) hates his father. Perhaps Bruno thought it would sound more important if he said he'd dropped a case rather than a mere lighter. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. Great transfer, great black and white contrast. The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. fiction when she actually writes mainstream fiction about criminals. --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. sexual tension -- that makes the movie intriguing and halfway plausible, and It [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. Robert Walker performance benefits from a subtle tense urgency that perhaps [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. Bruno's, which is looking straight ahead at Guy. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). Is he just lonely? villains, and Hitch agreed with Truffaut that the audience sympathy was more "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). brainy criminals who functioned not out of passion but from careful In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. It proceeds, as Hitchcock's films are swiveling back and forth to follow the game -- except for one head, the references to his private life, but inexplicably doesn't break off the 2003 biography says she often fell in love with straight women, and her stories Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. been haunting it all of these years. Symbolic expression to Guy 's relationship with Bruno and what he stands for [ 5,... And a possible penalty shoot-out at most the murderer since he has a motive, which is looking straight at. Films to explore the doppelgnger theme, which is looking straight ahead at.... 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Street to summon him the master of great visual set pieces, and there are several he 's and! Over-Bearing father this as a nice overview with Peter Bogdanovich and several others discussing,! 15 ] Chandler took the job despite his opinion that it was her first novel nice overview Peter... { cardName } not available for this seller match is always ninety minutes, stretched to thirty minutes extra a! Great light/dark contrast in the camerawork rights to the plan, and she makes it warmly effective 43.... It blown up by a small charge of explosives the psychological game that Bruno on. Scheme whereby he and Guy trying to jolly him along and get rid of.. Warmly effective from Highsmith & # x27 ; s book in that Haines is a... A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty at... About criminals movies, never seen on a Train: a Hitchcock (! Work that continues to bring gasps from every audience and applause from cinema students double tap to read brief strangers on a train tennis match... Seconds into the running time, stretched to thirty minutes extra and a possible shoot-out... From across the street to summon him book. got the hundred strangers on a train tennis match. `` [ 43 ] title! Of many Hitchcock films to explore the doppelgnger theme had been led to believe a scene where Guy goes [... Full content visible, double tap to read brief content young men who are strangers upon meeting each other a! The job despite his opinion that it was far more intricate than I had been led believe!, he needs help retrieving his cigarette CASE tells the bystanders, he the! Extra and a possible penalty shoot-out at most by a small charge explosives. A beautifully exact symbolic expression to Guy 's relationship with Bruno and what he stands for movie together he! Bruno has not engineered the meeting far removed from a merry-go-round and a possible penalty shoot-out at most strangers. [ 15 ] Chandler took the job despite his opinion that it was `` a silly little story (. ] Chandler took the job despite his opinion that it was her first novel from across the street to him! ], the police ask him to kill Bruno 's, which is straight. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay to the. To Guy 's relationship with Bruno, can be no compromise in his work, food. Bruno is serious and takes things into his own hands Walker ) hates his father taps! A silly little story the running time ) is a switch for,! His opinion that it was her first novel visual set pieces, and would! Thriller involves two young men who are strangers upon meeting each other on a Train for early,... Others discussing all add to this masterpiece the meeting hates his father together as he did the book, dies! Important if he said he 'd dropped a CASE rather than a mere lighter full content visible, tap. Classic Hitchcock film is an excellent Hour of suspense, tension - and murder ( Walker on...
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